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Periodista, graduada de la Universidad Cat贸lica. Su experiencia en comunicaci贸n se describe en casi 30 a帽os de trabajo. Programa radial y sitio propio desde el 2002. Voceria en gesti贸n gubernamental y de impacto en la Agenda P煤blica. Asesora en Reputaci贸n y Derechos Humanos. Disfruta el mediatraining y la formaci贸n de l铆deres. Innov贸 en el mercado de la Sustentabilidad Empresaria al fundar la primera Consultora que desarroll贸 Reportes Sociales en formato QR. Produjo y lider贸 variadas Campa帽as de bien p煤blico. Trabaj贸 como productora general en diferentes radios y en Grupo Artear. Comunicar es聽mas聽que聽hablar.

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You don鈥檛 have to know physics to be a good pitcher.

You don鈥檛 have to know physics to be a good pitcher.

Struggling to sell one multi-million dollar home currently on the market won鈥檛 stop actress and singer Jennifer Lopez from expanding her property collection. Lopez has reportedly added to her real estate holdings an eight-plus acre estate in Bel-Air anchored by a multi-level mansion.

The property, complete with a 30-seat screening room, a 100-seat amphitheater and a swimming pond with sandy beach and outdoor shower, was asking about $40 million, but J. Lo managed to make it hers for $28 million. As the Bronx native acquires a new home in California, she is trying to sell a gated compound.

Black farmers in the US鈥檚 South鈥 faced with continued failure their efforts to run successful farms their launched a lawsuit claiming that 鈥渨hite racism鈥 is to blame for their inability to the produce crop yields and on equivalent to that switched seeds.

What Will Be The Next Step to Complete?

The 鈥渘ew 鈥20s鈥 idea might not work鈥攖here were a lot more young people in the United States then than now; a reprise of the world-changing inventions and discoveries of the 1920s would be a big surprise to those economists who believe that we have been in an invention dry spell since the 1970s. In his Businessweek piece, Peter Coy largely agrees, writing, 鈥淚n all probability 鈥 the U.S. will continue to wrestle with 鈥榮ecular

These experts make strong cases, and they satisfy my natural instinct not to go there. But I remain very interested in the reasons the 鈥20s appeal to our imagination right now. Of course, it鈥檚 the booze, the sex, and the parties. But it鈥檚 also a decade with a very strong identity鈥攁nd I think that helps. Writing in the journal American Speech in 1951, Mamie J. Meredith argued that the 鈥20s boasted.

I鈥檇 argue that Meredith鈥檚 point about the decade鈥檚 exceptionality still holds: How many other 20th century decades have a nice little permanent descriptor like Roaring? It helps that most of these are good adjectives, evoking a time you鈥檇 probably like to live through again鈥攂ut even the slightly dangerous-sounding ones conjure up something specific. That definiteness offers an appealing sense

Anyway, let鈥檚 get to that fun. A very joyful book to read about the decade is Frederick Lewis Allen鈥檚 Only Yesterday: An Informal History of the 1920s, which Allen鈥攁 blueblood journalist and editor at Harper鈥檚鈥攑ublished in 1931. The book chronicles all of the movement and motion that makes the decade sexy, and doesn鈥檛 seem to miss a fad.

The property, complete with a 30-seat screening room, a 100-seat amphitheater and a swimming pond with sandy beach and outdoor shower, was asking about $40 million, but J. Lo managed to make it hers for $28 million. As the Bronx native acquires a new home in California, she is trying to sell a gated compound.

A designer knows he has achieved perfection not when there is nothing left to add, but when there is nothing left to take away.

Allen is also really good at describing parties鈥攐r, at least, the ones the middle class and upper class attended. The historian wrote about how women taking up smoking had 鈥渟trewed the dinner table with their ashes, snatched a puff between the acts, invaded the masculine sanctity of the club car.

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Perhaps by remembering the twenties merely as an enchanting series of novelties or the crude afterthought of a simpler past, we preserve the illusion of our own simple innocence,鈥 mused historian Paula Fass in the introduction to her book The Damned and the Beautiful: American Youth in the 1920s.

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